Premise; Tutorial Thoughts and Initial Ideas
I’ve now had an opportunity to speak to both Alan and Justin about my initial thoughts on the premise project.
With Alan, I talked about my
feelings towards the course, and specialisation. I don’t yet have a strong
sense of which area I’d like to focus my attention in, however, I mentioned
that it would likely be weighted towards the technical/software-based roles,
since I feel more comfortable expressing my creativity through software as
opposed to pen and paper.
Alan was supportive of this, but
warned that I don’t avoid continuing to work on and develop my traditional artistic
skills, because many of the most technically oriented riggers and modellers in
the industry are still accomplished artists, and this knowledge is often key to
their work.
This is a fair point, and although
my traditional art often leaves much to be desired, I still have enough faith
in my potential to develop much further over the next year and a half provided
I stick at it.
I also discussed my main two initial
ideas with both Alan and Justin. The first is a return to my story project from
last year, which was never quite completed. The unnamed story is about a genie,
an evil sorcerer, and a little girl. The genie lives in a mysterious temple
garden, hidden and guarded by dozens of deadly and almost impassable booby
traps.
Here is some stills from last year’s unfinished animatic;
Alan and Justin both agreed that this idea could work for the Premise project. Justin suggested that the genie would be a good candidate to experiment with and show off some interesting technical abilities . It also has the advantage of having just two character models (the sorcerer was only intended to appear as a silhouette) and just one setting (the temple/genie’s garden).
There are a few drawbacks though;
Alan pointed out that I might be pushing the length a bit, considering it might
take more than a few minutes to cover the plot in its current form. However, he
agreed that there are probably ways to fit it into a shorter format. Justin
also warned to be carful of riding off too many past cliches.
The plot is already very reminiscent
of Aladdin, and particularly the design of the genie is overshadowed by the extremely
iconic Disney counterpart. Justin suggested that if I were to commit to this
idea, I’d have to put lots of work into giving the style and characters a strong
and unique identity compared to previous incarnations of the Aladdin story.
The final draw-back is a more
personal one. I sort of consider this my fall-back idea. That’s not to say that
I don’t like it; I like it a lot, and I’d probably enjoy making it. However, I’ve
already spent a fair amount of time exploring the idea, and largely landed on
it because I was prompted with the words ‘genie’ and ‘garden’. With much more
creative freedom available us this time around, I feel it’s worth using that
freedom to find something much more unique and personal, rather than something
safe that was partly handed to me.
Hence, my second idea. This ‘idea’
is in a very vague stage at the moment, and it’s largely based on inspiration
from a real-world place. It's temporarily dubbed 'The Bog-man'.
Here’s some of the pictures that inspired the idea;
Bogland Drainage Structure (Turn sound on);
These are my current two strongest candidate
ideas for the premise project. Over the coming week, I think I’ll focus on creating
some initial drawings for the second idea, to help project what it is I’m
feeling, and to see if the idea holds any value.
Hi Tom - I think both ideas have merit. However, the Genie idea needs polishing up whilst the Canterbury one is a little at the moment.
ReplyDeleteGenie - There is a 'careful what you wish for' motif in this idea featuring a Sorcerer and a gauntlet. I am guessing that complexity came from your three inherited words? It may be possible to refine this idea to feature the same twist but not the same elements - A less is more/streamlined approach to the same core narrative. Another way to look at it is in terms of method. For example, what if you wrote it like a Dr Seuss poem instead. That way you would have a narrator to add detail. Overall, we should discuss this one in person on Thursday and see what possibilities are.
Canterbury - This idea relies heavily on tone. It also reminds me of a children's book called 'Stig of the Dump'. In the book a child finds a caveman living in a chalk pit in modern day - A person out of time and place. I am not a fan of 'post-apocalypic' generally (in academia) because it can be a creative dead-end. Of course, it can be done really well (Mad Max etc) but the success relies upon other factors like the quality of the world buidling, tone, character depth, and good design. Basically you need to fight to make the idea less superfical/generic by ensuring everything else is on its A-game. I'd recommend you dig a little deeper into what made you like/take pictures of this setting. May be write creatively about it and your 'person'. Try to steer away from 'post-apocalyptic' as a way to explain emotions, write about them instead.
Hi Tom - Please read: https://ucarochester-cgartsandanimation.blogspot.com/2020/01/fao-caa-year-2-toolkit-2-check-re.html
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